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Death --- Mort --- Cardiac Death --- Determination of Death --- Near-Death Experience --- Death, Cardiac --- Thanatology --- Fatal Outcome --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Philosophy --- End Of Life --- End-Of-Life --- Death. --- Mort. --- deaths.
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Dood --- Filosofie --- Mort --- Philosophie --- Theologie --- Théologie --- Death --- #gsdb6 --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Philosophy
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Death --- Europe --- Civilization --- Civilization. --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Philosophy --- History --- Cemeteries --- Historiography --- Europe - Civilization
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Philosophical anthropology --- Thematology --- Death --- Death in literature --- #gsdb4 --- #gsdb3 --- #GSDBL --- 236 --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Eschatologie. De novissimis --- Philosophy
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Philosophical anthropology --- Death --- Finite, The --- Mort --- Fini --- Finiteness --- Finitude --- Finity --- Infinite --- Ontology --- Philosophy --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology
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Death --- Dood --- Mort --- Mortaliteit --- Mortality --- Mortalité --- Sterfte --- Mortality, Law of --- Dying --- End of life --- Philosophy --- Demography --- Death (Biology) --- Life --- Terminal care --- Terminally ill --- Thanatology
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END-OF-LIFE -- 362 --- BELGIUM -- 362 --- EUROPE -- 362 --- EUTHANASIA -- 362 --- Euthanasia --- Public opinion --- Europe --- 20th century --- Belgium --- Medical personnel --- Professional ethics --- Death --- Causes --- Psychological aspects
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A basic motivation for social and cultural life is the problem of death. By analysing the experiences of dying and bereaved people, as well as institutional responses to death, Clive Seale shows its importance for understanding the place of embodiment in social life. He draws on a comprehensive review of sociological, anthropological and historical studies, including his own research, to demonstrate the great variability that exists in human social constructions for managing mortality. Far from living in a 'death denying' society, dying and bereaved people in contemporary culture are often able to assert membership of an imagined community, through the narrative reconstruction of personal biography, drawing on a variety of cultural scripts emanating from medicine, psychology, the media and other sources. These insights are used to argue that the maintenance of the human social bond in the face of death is a continual resurrective practice, permeating everyday life.
Death. --- Death --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Philosophy --- Social aspects. --- Bereavement --- Mort --- Deuil --- Social Sciences --- Sociology
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« Penser ma mort c’est aussi bien penser moi sans le monde que le monde sans moi, c’est penser à la rupture d’un rapport. Où l’angoisse commence c’est quand, au sentiment du monde comme réalité empirique, nous substituons une présence du monde en nous, qui serait le temps... Je n’étais pas plus satisfait du monde mais du moins je me sentais en sécurité dans un monde qui ne me satisfaisait pas. Ce sont ces deux conditions qui ont pu faire place en moi à l’angoisse de la mort : celle de disparaître non au monde (empiriquement) mais celle de disparaître au sens absolu... ». Par toutes sortes de détours ce texte ramène à un centre, la distinction entre la peur de mourir qui concerne le texte de la vie, et l’angoisse devant la mort, qui elle ne concerne « rien ». L’auteur, à qui le genre même du Journal permet de se contredire et dans ces contradictions mêmes de retrouver toujours les mêmes évidences, s’appuie sur trois refuges, la réflexion bouddhique (et indienne), celle d’Epicure, la pensée christique (le « il faut qu’il vive »). Des analyses particulières s’entremêlent, celle du suicide (« le suicide s’explique parce que l’angoisse de la mort ne peut contrebalancer le dégoût de la vie, sans quoi il n’y aurait pas de suicide »), la peine de mort, le couple... Aux trois points d’appui qui reviennent explicitement — érotisme, travail, art — le quatrième que l’auteur ne nomme pas, l’ami mort, est peut-être le plus présent. Le livre s’achève par un bref rappel de réflexions sur la mort, depuis la philosophie antique et celle de la Renaissance (Montaigne), puis Descartes, Pascal, Schopenhauer, des modernes enfin, de Bergson, Simmel, Heidegger à Jean-Paul Sartre et Paul Ricoeur ; enfin quatre littérateurs, Alain, Paul Valéry, Paul Léautaud et André Malraux.
Death. --- Fallot, Jean --- Philosophy. --- Death --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Philosophy --- philosophie --- mort --- angoisse --- peur --- fin de vie
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"This book will examine the iconography of death as well as that of its symbolic opposite - resurrection and rebirth."--Introduction.
iconography --- dood --- iconografie --- thema's in de kunst --- Iconography --- theme --- Thematology --- Death in art --- Resurrection in art --- Death --- Attitude to Death --- Medicine in the Arts --- Attitudes to Death --- Death, Attitude to --- Death, Attitudes to --- Medicine in Art --- Medicine in Arts --- Art --- Cardiac Death --- Determination of Death --- Near-Death Experience --- Death, Cardiac --- Thanatology --- Fatal Outcome --- End Of Life --- End-Of-Life
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